I am truly honoured to have been invited by PEN America to deliver this year’s Arthur Miller Freedom to Write Lecture. Had Arthur Miller and I belonged to the same generation, and had I been a US citizen, I suspect we’d have bumped in to each other while we answered summons to the House Un-American Activities Committee. In India, my credentials are impeccable. My name is high up on the A-List of “Anti-Nationals” – and that’s not because it begins with A. These days the list has become so long, there’s a good chance that it might soon overtake the list of Patriots.

Of late, the criterion for being considered anti-national has been made pretty simple: If you don’t vote for Narendra Modi (the prime minister) you’re a Pakistani. I don’t know how Pakistan feels about its growing population.

Sadly, I won’t be able to vote for anybody this time around, because today, May 12, is the day that Delhi, my city, votes. My friends and comrades (excluding those who are in prison) have been queuing up outside election booths, with their hearts in their mouths, hoping the fate of Turkey and Brazil does not await us too. I don’t believe it will. For the record, I accepted the invitation to speak here before the dates of the Indian election were announced. So, if Mr Modi wins by just one vote, remember that all of you share the blame.Anyway, here we are in legendary Harlem, in the Apollo Theatre, whose walls have heard, and perhaps secretly archived, the heart-stopping music that has been made here. They probably hum to themselves when nobody’s listening. A little Aretha Franklin, some James Brown, a riff by Stevie Wonder or Little Richard. What better venue than this hall full of history to think together about a place for literature, at this moment in time, when an era that we think we understand – at least vaguely, if not well – is coming to a close.
As the ice caps melt, as oceans heat up, and water tables plunge, as we rip through the delicate web of  interdependence that sustains life on earth, as our formidable intelligence leads us to breach the boundaries between humans and machines, and our even more formidable hubris undermines our ability to connect the survival of our planet to our survival as a species, as we replace art with algorithms and stare into a future in which most human beings may not be needed to participate in (or be remunerated for) economic activity – at just such a time we have the steady hands of white supremacists in the White House, new imperialists in China, neo-Nazis once again massing on the streets of Europe, Hindu nationalists in India, and a host of butcher-princes and lesser dictators in other countries to guide us into the Unknown.
While many of us dreamt that “Another world is possible”, these folks were dreaming that too. And it is their dream – our nightmare – that is perilously close to being realised.
Capitalism’s gratuitous wars and sanctioned greed have jeopardised the planet and filled it with refugees. Much of the blame for this rests squarely on the shoulders of the government of the United States. Seventeen years after invading Afghanistan, after bombing it into the “stone age” with the sole aim of toppling the Taliban, the US government is back in talks with the very same Taliban. In the interim it has destroyed Iraq, Libya and Syria. Hundreds of thousands have lost their lives to war and sanctions, a whole region has descended into chaos, ancient cities – pounded into dust. Amidst the desolation and the rubble, a monstrosity called Daesh (ISIS) has been spawned. It has spread across the world, indiscriminately murdering ordinary people who had absolutely nothing to do with America’s wars. Over these last few years, given the wars it has waged, and the international treaties it has arbitrarily reneged on, the US Government perfectly fits its own definition of a rogue state. And now, resorting to the same old scare tactics, the same tired falsehoods and the same old fake news about nuclear weapons, it is gearing up to bomb Iran. That will be the biggest mistake it has ever made.

So, as we lurch into the future, in this blitzkrieg of idiocy, Facebook “likes”, fascist marches, fake-news coups, and what looks like a race toward extinction – what is literature’s place?

What counts as literature? Who decides? Obviously, there is no single, edifying answer to these questions. So, if you will forgive me, I’m going to talk about my own experience of being a writer during these times – of grappling with the question of how to be a writer during these times, in particular in a country like India, a country that lives in several centuries simultaneously.
A few years ago, I was in a railway station, reading the papers while I waited for my train. On an inside page, I spotted a small news report about two men who had been arrested and charged with being couriers for the banned, underground Communist Party of India (Maoist). Among the “items” recovered from the men, the report said, were “some books by Arundhati Roy”. Not long after that, I met a college lecturer who spent much of her time organising legal defence for jailed activists, many of them young students and villagers in prison for “anti-national activities”. For the most part this meant protesting corporate mining and infrastructure projects that were displacing tens of thousands from their lands and homes. She told me that in several of the prisoners’ “confessions” – usually extracted under coercion – my writing often merited a reference as a factor that led them down what the police call “the wrong path”.
“They’re laying a trail – building a case against you,” she said.
The books in question were not my novels (at that point I had written only one –The God of Small Things). These were books of nonfiction – although in a sense they were stories, too, different kinds of stories, but stories nevertheless. Stories about the massive corporate attack on forests, rivers, crops, seeds, on land, on farmers, labour laws, on policy making itself. And yes, on the post 9/11 US and NATO attacks on country after country. Most were stories about people who have fought against these attacks – specific stories, about specific rivers, specific mountains, specific corporations, specific peoples’ movements, all of them being specifically crushed in specific ways. These were the real climate warriors, local people with a global message, who had understood the crisis before it was recognised as one. And yet, they were consistently portrayed as villains – the anti-national impediments to progress and development. The former Prime Minister of India, a free-market evangelist, called the guerrillas, mostly indigenous people, adivasis, fighting corporate mining projects in the forests of central India the “Single Largest Internal Security Challenge”. A war called “Operation Green Hunt” was declared on them. The forests were flooded with soldiers whose enemies were the poorest people in the world. It’s been no different elsewhere – in Africa, Australia, Latin America.

And now, irony of ironies, a consensus is building that climate change is the world’s single largest security challenge. Increasingly the vocabulary around it is being militarised. And no doubt very soon its victims will become the “enemies” in the new war without end.

Calls for a climate “emergency”, although well meaning, could hasten the process that has already begun. The pressure is already on to move the debate from the UNFCC (United Nations Framework Convention on Climate Change) to the United Nations Security Council, in other words, to exclude most of the world and place decision making straight back into the den of the same old suspects. Once again, the Global North, the creators of the problem, will see to it that they profit from the solution that they propose. A solution whose genius will, no doubt, lie deep in the heart of the “Market” and involve more selling and buying, more consuming, and more profiteering by fewer and fewer people. In other words, more capitalism.
When the essays were first published (first in mass-circulation magazines, then on the internet, and finally as books), they were viewed with baleful suspicion, at least in some quarters, often by those who didn’t necessarily even disagree with the politics. The writing sat at an angle to what is conventionally thought of as literature. Balefulness was an understandable reaction, particularly among the taxonomy-inclined – because they couldn’t decide exactly what this was – pamphlet or polemic, academic or journalistic writing, travelogue, or just plain literary adventurism? To some, it simply did not count as writing: “Oh, why have you stopped writing? We’re waiting for your next book.” Others imagined that I was just a pen for hire. All manner of offers came my way: “Darling I loved that piece you wrote on the dams, could you do one for me on child abuse?” (This actually happened.) I was sternly lectured, (mostly by upper-caste men) about how to write, the subjects I should write about, and the tone I should take.

But in other places, let’s call them places off the highway, the essays were quickly translated into other Indian languages, printed as pamphlets, distributed for free in forests and river valleys, in villages that were under attack, on university campuses where students were fed up of being lied to.

Because these readers, out there on the frontlines, already being singed by the spreading fire, had an entirely different idea of what literature is or should be.
I mention this because it taught me that the place for literature is built by writers and readers. It’s a fragile place in some ways, but an indestructible one. When its broken, we rebuild it. Because we need shelter. I very much like the idea of literature that is needed. Literature that provides shelter. Shelter of all kinds.Over time, an unspoken compromise was arrived at. I began to be called a “writer-activist.” Implicit in this categorisation was that the fiction was not political and the essays were not literary.
I remember sitting in a lecture hall in a college in Hyderabad in front of an audience of five or six hundred students. On my left, chairing the event, was the vice-chancellor of the university. On my right, a professor of poetry. The vice-chancellor whispered in my ear, “You shouldn’t spend any more time on fiction. Your political writing is the thing to concentrate on.” The professor of poetry whispered, “When will you get back to writing fiction? That is your true calling. This other stuff you do is just ephemeral.”
I have never felt that my fiction and nonfiction were warring factions battling for suzerainty. They aren’t the same certainly, but trying to pin down the difference between them is actually harder than I imagined. Fact and fiction are not converse. One is not necessarily truer than the other, more factual than the other, or more real than the other. Or even, in my case, more widely read than the other. All I can say is that I feel the difference in my body when I’m writing.
Sitting between the two professors, I enjoyed their contradictory advice. I sat there smiling, thinking of the first message I received from John Berger. It was a beautiful handwritten letter, from a writer who had been my hero for years: “Your fiction and nonfiction – they walk you around the world like your two legs.” That settled it for me.
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